Two titles form Soul Food's lineup win awards at Otranto!
Serbia's Academy of Film Art and Science announced in September that the latest film of young director Bojan Vuletic “Requiem For Mrs. J.” was selected as Serbian candidate for the Oscar award, in category for Best Foreign Language Film. From its premier at Berlin Film Festival in February 2017, “Requiem For Mrs. J.” participated on over twenty festivals and won numerous awards.
The Basics of Killing by Jan Cvitkovič won The Best Actress Award for Irena Kovačević at the Montreal WFF where the film had its world premiere in Competition Program.
BERLIN: Thirteen majority and minority coproductions from CEE countries are among the 51 titles in EFA Feature Film Selection, the list of feature fiction films recommended for a nomination for the European Film Awards 2017. The over 3,000 members of the European Film Academy will vote for the nominations in the categories European Film, Director, Actor, Actress and Screenwriter. The nominations will be announced at the Seville European Film Festival in Spain on 4 November 2017. A seven-member jury will decide the awards in the categories European Cinematographer, Editor, Production Designer, Costume Designer, Hair & Make-up Artist, Composer and Sound Designer. The 30th European Film Awards will take place in Berlin on 9 December 2017.
Following the official award ceremony of the 23rd Sarajevo Film Festival, held in the National Theater in Sarajevo, the audience vote was presented at midnight. Film fans of the 23rd Sarajevo Film Festival have spoken – Audience Award goes to: Feature Film: THE FROG
Bojan Vuletic’s second feature Requiem For Mrs J. has become the first Serbian film in the history of the goEast - Festival of Central and Eastern European Film’s 17 years to win the top award, the €10,000 Golden Lily, for best film in Wiesbaden’s competition. The co-production between Serbia’s SEE Film Pro, Bulgaria’s Geopoly Film, FYR Macedonia’s Skopje Film Studio, France’s Surprise Alley and Russia’s Non-Stop Production had had its world premiere at the Berlinale’s Panorama section in February and is in the sales line-up of Belgrade-based Soul Food Films.
A grieving widow resorts to extreme measures in Serbian director Bojan Vuletic's Kafkaesque comedy, a Panorama premiere at the Berlin Film Festival.
A severely depressed widow lives a life of quiet desperation in Requiem for Mrs. J, one of the more pleasantly surprising oddities to premiere at the Berlinale so far. With its fatalistic mood, lethargic pace and washed-out color palette, Serbian writer-director Bojan Vuletic's somber comedy initially feels like the kind of relentlessly grim Eastern Bloc art house misery porn that was once designed to suck all the joy out of serious-minded film festival programs. But there is something much more playful and affirmative going on below the surface here, a stifled scream of defiant humanity against a mercilessly cruel universe.
Speaking of cinematic voices from other lands, two of the strong films caught in yesterday’s schedule were from “over there” in old and older Europe — the Montenegro/Serbian film The Black Pin and Italy’s fascinating and refreshingly unusual/slightly experimental Indivisible, both well worth seeking out. Writer-director Ivan Marinovic has created a charming, funny, and bittersweet slice of Balkan village life with The Black Pin — so named for a provincial ceremony by which a witch is identified. A woman deemed by some as a witch has died, and the pending funeral, along with a real estate scheme subplot and a salty-tongued priest, keeps the screen buzzing in a contemporary-meets-folkoric way.
Berlinale officially announced that Requiem for Mrs J. will have its world premiere at 67th Berlinale in Panorama Special selection.
"These include works like the Spanish debut feature Pieles (Skins) by Eduardo Casanova, Rekvijem za gospodju J. (Requiem for Mrs. J.) by Serbia’s Bojan Vuletić, Ferenc Török’s 1945 from Hungary and God's Own Country, Francis Lee’s feature-film debut from United Kingdom. Teona Mitevska returns with a bitter depiction of Macedonian adolescents trying to get their bearings in When the Day Had no Name. Also returning to Panorama are Norwegians Ole Giæver, with the emancipatory and philosophical self-examination Fra balkongen (From the Balcony), and Erik Poppe with Kongens Nei (The King's Choice), which deals with the Norwegian king’s resistance to the German armed forces in World War II."
Like every year, at the festival’s closing ceremony we announce the awards. This year, the awards went to:
The film “Humidity” by Nikola Ljuca got the “Golden Star” award for Best Film in the Official selection at the Festival of European Film Cinedays 2016.
The awards tonight were announced by the jury consisted of Cedomir Kolar, one of the exceptional producers in the Hollywood film industry and chairman of the jury, Zrinko Ogresta, screenwriter and director, professor of film directing at the Academy of Dramatic Arts in Zagreb and member of the European Film Academy in Berlin and the Macedonian director Igor Ivanov – Izi.
Nikola Ristanovski scooped the Golden Dolphin award for best actor at the fourth International Bosphorus Film Festival held in Istanbul for his starring role in The Black Pin – a debut feature film by Montenegrin director Ivan Marinovic. The film got its world premiere at the Sarajevo Film Festival, followed by festivals in the United States and Australia. Macedonian film-goers had the chance to see the movie at the 15th CineDays Festival of European Cinema. Nikola Ristanovski stars as Father Peter who stands in the way of the inhabitants of a small village on a peninsula by refusing to sell his part of a property belonging to the parish. He also has to deal with his mother’s deteriorating mental health while questioning his own faith. The Black Pin has been submitted by Montenegro to vie for an Academy Award in the foreign language category.
SKOPJE: The Serbian/Dutch/Greek coproduction Humidity / Vlažnost, directed by Nikola Ljuca, scooped the best film award in the official selection of the 15th Festival of European Film Cinedays, which closed on 19 November 2016. Director Nikola Ljuca receiving the Golden Star AwardThe jury stated, “The film managed to disfigure modern marriage, showing the absurd and hypocrisy that present generations are faced with in the attempts to maintain traditional norms and values.” Maren Ade won the best screenplay award for Toni Erdmann and Attila Till received the best director award for his film Kills on Wheels. The main competition jury was composed of producer Chedomir Kolar, screenwriter and director Zdrinko Ogresta and director Igor Ivanov.
Cinema Jove’s special jury mention went to Serbian director Nicola Ljuca’s “Humidity” which world premiered at the Berlin’s 2016 Forum.
Movie turns on a successful businessman whose wife disappears, a fact he tries to hide. Why he does so gives the film much of its tension, as it opens up to become a portrait of his family, friends, business and Belgrade politics. Ljuca has described the film as a portrait of a generation which opposed Slobodan Milosevic and seemed poised to change Serbia after his fall in 2000, but instead went into business as capital flowed into Serbia.
In the National Competition of the 43rd FEST – Belgrade International Film Festival (27 February–8 March),No One's Child by Vuk Ršumović received the Belgrade Victor for Best Film. The Best Actor Award went to the movie's star, 15-year-old Denis Murić. The title also won the honorary Nebojsa Djukelić Foundation Award for an especially significant film from the Balkan region.
No One`s Child received the Audience Award at the REC.Tarragona International Film Festival in Spain!
This is the third Audience Award for No One`s Child after the main award of Venice International Film Critics` Week- RaroVideo Audience Award and the Audience Award at Zagreb Film Festival.
SOUL FOOD is an international sales company established in 2010 aiming to present promote and widely distribute films and film talents coming from South East Europe, a region with strong potential but lacking chance on the film market.
Our strongest asset is the fact that we are the only international sales company in the region focused on and specializing in films originating from South- East Europe, a region recognized by the majority of regional, European and global film industry representatives.
We positioned ourselves on the market with a well selected catalogue of a new and old titles, and our success, development and growth led us to a new approach – we now tend to get involved in projects in their early stage of development, as sales agents, developing sales and market positioning strategiests.
Since our inception, we closely colaborate with one of the leading production companies on the territory of ex Yugoslavia, Art & Popcorn.
In 2015, we have started developing our own film and TV productions.
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